Cover Summary:
Following the destruction of four fleet vessels at the hands of the Omega Continuum, the U.S.S. Voyager and U.S.S. Demeter
set course for a region of the Delta Quadrant far beyond
anything previously explored. Captain Chakotay is determined
to prove to Starfleet Command that the fleet's ongoing mission
is vital to Federation interests . . . and the key to doing so may lie
in a distress call Voyager received nine years earlier but could not investigate.
Meanwhile, Vice Admiral Kathryn Janeway is recalled to the Alpha Quadrant for an evaluation period to determine her next assignment. Given the trauma she has recently endured, Admiral Akaar, Starfleet's commander in chief, is questioning Janeway's fitness to command the fleet. Janeway's primary concern remains the fleet's safety; for their mission to continue, she must find a way to secure the resources they require. But the uncertainty of her superior officers has left her powerless to act in their best interests.
Meanwhile, Vice Admiral Kathryn Janeway is recalled to the Alpha Quadrant for an evaluation period to determine her next assignment. Given the trauma she has recently endured, Admiral Akaar, Starfleet's commander in chief, is questioning Janeway's fitness to command the fleet. Janeway's primary concern remains the fleet's safety; for their mission to continue, she must find a way to secure the resources they require. But the uncertainty of her superior officers has left her powerless to act in their best interests.
Kirsten Beyer’s latest installment in the Star Trek: Voyager series does not
disappoint; quite the opposite. Like their characters, these books go above and
beyond the call of duty, delivering not only the exciting space battles, exotic
aliens and heartwarming idealism at the base of the Star Trek franchise, but also highly nuanced, thoughtful, and
compassionate characterization, of OC’s (even minor ones) as well as characters
from the show. I wouldn’t recommend it to anyone who hasn’t read the previous
volumes, as there are dozens of side characters and subplots to catch up on;
let alone a working knowledge of the TV series, which is essential. If you
haven’t heard of the starship stranded 70, 000 lightyears from home, its epic
journey, and its lovable misfit crew led by the fearless Kathryn Janeway, you
will be every bit as lost as they once were. Warning: spoilers!
There are several parallel plotlines, with strong and
creative references to the original episodes. Firstly, with Janeway under
evaluation to determine her fitness to command the Full Circle fleet, only two
out of nine vessels remaining in the Delta Quadrant, and over eight hundred
crewmembers lost, Captain Chakotay's search for a mission
interesting enough to be worth the trouble, but not so dangerous as to risk
another catastrophe, leads to a communication that Voyager received in the early years of the TV series (season 2,
“Twisted”). Ms. Beyer extrapolates it as a distress
call, sent by the titular “Protectors”: the distortion ring that twisted the
ship in the original episode is one of a swarm of unknown technological creations
trying to save a dying ecosystem, the so-called Ark Planet. Chakotay and
Commander O’Donnell, the only fleet captains present, get into a classical Trek
debate about how to respond to the distress call: are the protectors sentient,
and if not, would terraforming the planet for them be a violation of their
non-interference directive? It’s not often that the peaceable Chakotay finds
someone he can’t get along with, but his anxiety about proving themselves to
Starfleet Command does not mix well with O’Donnell’s unconventional command
style. It speaks well for Ms. Beyer, however, that she can write about
characters with conflicting opinions while keeping them both
sympathetic. Also, O’Donnell’s and his first officer’s character development
since Children of the Storm is
satisfying to watch: Fife has learned to trust
his eccentric captain, while O’Donnell has emerged from his lab and actually
contributes to the running of his ship.
Secondly, at the same time, Seven of Nine is dreaming
vividly of Axum, her first love from
“Unimatrix Zero”. This is not as pleasant as you might imagine; not only is she
over him and dating Counselor Cambridge (who, for once, is in need of counseling
himself over this situation), but Axum is in danger and needs her. As freed
members of a collective of cyberorganisms, their bodies contain technology
(“catoms”) they themselves do not fully understand. The Starfleet doctors who
discovered his badly injured body have more things on their minds besides his
recovery; namely a disease they fear is spread by catoms like his. Voyager’s holographic Doctor, the only known
catom expert, becomes fiercely protective of Seven and Axum, afraid of them
being experimented on – but there is something “off” about his protectiveness,
since at the same time, he is more clinical and indifferent to Seven than he
has been for years. Has someone been interfering with his program, or is it
there something wrong between the two old friends? Lewis Zimmerman, the
Doctor’s programmer, plays a small, but important role in this subplot. His
fatherly feelings for his creation, usually buried under layers of sarcasm,
come out in a very touching, if questionable way. Here is the only minor
criticism I had with this book, apart from the length of time until the arrival
of its sequel; Zimmerman’s attempt to help his son is understandable, but after
so many times on the TV show where the Doctor tried something similar, he
really should have known better.
Thirdly, we come to what I believe is the heart of the Voyager saga: Kathryn Janeway. She has
died horribly, come back to life with the help the omnipotent Q family, and
it’s affected her in ways she’s only beginning to understand - all this on top
of an entire lifetime of pushing herself to impossible achievements and
tormenting herself when she fails. She wants to lead the fleet, but her
superiors’ distrust and her own misgivings make her doubt herself at every turn.
Ms. Beyer captures the essence of this character on every page: the intense
love and loyalty that is her greatest strength, as well as her greatest
weakness. She blames herself for any harm that comes to her friends, whether it
really is her fault or not, and then turns the universe inside-out trying to
save them. If anyone needed therapy, she does, and Counselor Austen, who has a
flower garden in her office and the wry, incisive wisdom of her namesake, is
the perfect person to provide it. This part of the story is much less
action-oriented than the others’, but no less interesting; Janeway’s own
emotional landscape is as wild, mysterious and lovely as any alien planet, and
readers will be rooting for her to explore it with her customary courage.
All three of these major storylines, and the minor ones as
well, involve some form of protection, as promised by the title. Janeway,
Chakotay, the Doctor, the wave form creations, almost every character is trying
to protect something or someone. However, not all forms of protection are
healthy or helpful, either for the protector (Janeway, burning herself out for
her crew) or for the one being protected (the Ark Planet, which the wave forms
crowded with too many organisms at once). Sometimes it comes with the price of
dishonesty: Tom Paris, who faked the deaths of his wife and daughter to protect
them from a terrorist sect that believed the little girl to be an omen of the
apocalypse, now has to face the rage of his own mother for not telling her the
truth. Sometimes it is a thin disguise for selfishness, as with Mrs. Paris
contesting her son’s fitness to raise her granddaughter, or Phoebe Janeway
demanding that Kathryn leave Starfleet because she cannot stand the risk of
losing her again. The best form of guardianship, in this novel, requires
compromise: taking into account the needs and wishes of everyone involved,
finding a balance between kindness, courage, common sense and personal
well-being.
In this way, the Voyager
novels are much more than just written echoes of a TV series, or a way for the
franchise to make money; they are solid works of literature in their own right.
Ms. Beyer’s heart is in her writing; if you read her dedications and
acknowledgements, you will find that her own beloved family and friends inspire
the bonds between her characters, and that Star
Trek: Voyager is a shared source of joy and inspiration among them. More
than ten years after the end of the show, they still inspire us fans to “set a
cource for home” – wherever, and whoever, home may be.