A boy looks up. He sees a Cardassian's hand on his shoulder and knows that this is usually a prelude to a beating or, if he is fortunate enough, arrest. The boy knows how many disappeared during the Occupation of Bajor. So he does the one thing he can think of: he bites the Cardassian. Then the nightmare begins.
He is ripped from the family that took him in as an orphan, clothed him, fed him, always loved him unconditionally. And no matter how earnest, how caring the commander of Deep Space 9 is, the boy knows this is all a horrible mistake. How can someone from Starfleet judge him by what he looks like, not by what he is? He prays to the Prophets; he is Bajoran. They all keep telling him that the test proves the large Cardassian man is his father, that the other Cardassian -- that oily gul -- took him away from his father. But the boy keeps telling them that he is Bajoran, he only wants to go home with his father. So they send Rugal home -- to Cardassia.
On the homeworld of the Cardassian Union where sacrifice and devotion to the state are surpassed only by the government's need to keep its people in check, one very lonely boy discovers that if he doesn't resist, his life -- like those of so many others -- will be added to the tally of the never-ending sacrifice.
He is ripped from the family that took him in as an orphan, clothed him, fed him, always loved him unconditionally. And no matter how earnest, how caring the commander of Deep Space 9 is, the boy knows this is all a horrible mistake. How can someone from Starfleet judge him by what he looks like, not by what he is? He prays to the Prophets; he is Bajoran. They all keep telling him that the test proves the large Cardassian man is his father, that the other Cardassian -- that oily gul -- took him away from his father. But the boy keeps telling them that he is Bajoran, he only wants to go home with his father. So they send Rugal home -- to Cardassia.
On the homeworld of the Cardassian Union where sacrifice and devotion to the state are surpassed only by the government's need to keep its people in check, one very lonely boy discovers that if he doesn't resist, his life -- like those of so many others -- will be added to the tally of the never-ending sacrifice.
Star
Trek: Deep Space Nine has one of the most
complicated storylines of any TV series I know. It ran for seven seasons and
involved, more or less, seven different political entities, with alliances that
were constantly shifting back and forth. Today’s enemy might be tomorrow’s ally,
or vice versa. It’s realistic, as any history student will tell you, but also
somewhat confusing.
That’s why The
Never-Ending Sacrifice by Una McCormack is very helpful for putting all
seven seasons in perspective.If you don’t know the series, you might not
understand everything that’s going on, but there’s a glossary at the back of
the book. Besides, the protagonist doesn’t understand it all either.
Rugal Pa’Dar is a one-off character from an
episode called “Cardassians” in the second season of DS9. He was adopted by Bajorans, whose planet was once invaded by his own
species, the Cardassians.
Then his biological father found him and took him back.
Needless to say, he’s
got identity issues. He doesn’t fully belong to either culture. This makes him
the perfect character through whom to tell the story of the Dominion War,
because the war is being fought inside him as well as across the galaxy. This
inner conflict almost tears him apart, but as he grows up, it also helps him
make connections across all kinds of borders: class, species, sexuality and
politics, to name a few.
Rugal is not much like the usual Star Trek heroes, brilliant diplomats,
scientists and warriors who always save the day. He’s an ordinary person caught
up in extraordinary circumstances, who mostly gets by on luck, resourcefulness,
and a deep loyalty to his loved ones. He’s not trying to end the war or save
his species. He just wants to go home, if he could only figure out where home
is.
McCormack does an excellent job of balancing the large and complicated plot lines of the original series with Rugal's individual story. He is clearly a product of a certain political landscape, but not a passive one. The older he gets, the more he refuses to let parents, commanding officers and governments make his choices for him.
The
Never-Ending Sacrifice is still a quintessential Star Trek story. It’s a story about war,
and it does get very dark at times (Rugal’s time in the army is bleakly
reminiscent of All Quiet On The Western
Front), but more than that, it’s a story about love that transcends
boundaries.
